Spring is springing in our neck of the woods. New growth and new opportunities are on the way and, in keeping with my January intention, I am leaning into the excitement and wonder of it all (with, let’s be real, a garnish of panic).
This spring I am participating in something brand-new to me: Creative Residencies. Wondering what the heck that is? Well, that makes two of us! Broadly speaking, a residency is an opportunity to trade in the day-to-day grind for a few days or weeks of focused, intentional time to work on your creative project. Often this involves going to a remote location.
I’m excited to share that I will be participating in residencies with Drop, Forge & Tool in Hudson, NY and the Turkey Land Cove Foundation in Edgartown, MA. Why apply for a residency? In my case, I’m developing my latest play via a long-distance collaboration. My NYC-based partner thought a residency could be a fantastic opportunity for us to be in the same place at the same time and dig into the project in a deep and meaningful way.
Personally, I thought it sounded way too good to be true and thus unlikely ever to happen. In this case I am perfectly happy to have been proven wrong. In retrospect, I’m actually grateful for my initial doubt because it allowed me to approach the applications with a nothing-to-lose, go-for-it mindset rather than letting my buddies perfectionism and comparison restrain me.
The application process involved, among other things, sharing our project and goals with the organizations. They want to know how applicants will use their time and what they will have to show for it once the residency is complete. This pushed me to think more broadly about the script and the production as a whole — what needs to happen to move it closer to reality and how can we leverage this uninterrupted time to make progress towards that?
In preparation for the residencies, my partner and I drafted a long list of goals. My mind is boggling a little bit thinking about this ambitious list. But I’m excited. Our goals are rather detailed, yes, but I feel we have left ourselves plenty of room to breathe and discover and stretch and create. Will we accomplish every item? Probably not. Will we discover things we hadn’t yet considered? Almost assuredly. In this moment, I am so grateful for the residencies’ gift of the truly precious commodity of time. I know we will make good use of it.
Residencies are available throughout the country, for all sorts of endeavors. Have you participated in a residency? We’d love to hear about it. Please drop us an email at email@example.com and share your experience.
Looking forward to reporting to you from the other side of this journey!
‘Til next time,
*Mara has a website! marathomas.com
Mara Thomas is a Durham-based playwright, actor, musician and teaching artist. Her original theatre piece, YES TO NOTHING, was commissioned by Little Green Pig Theatrical Concern and played to raving crowds at music venues in Raleigh, Chapel Hill and Durham in fall 2017. Mara is working on YEAR OF THE MONKEY, a new play.
Blog posts and podcast episode about the Creative Accountability Group:
- Take your work seriously: put Creative Resistance on notice!
- Better together. A Creative Accountability Group debrief with Mara and Tamara
- Ask WHY to create opportunities for compassion
- Map your dreams
Blog posts about creativity resources:
- Cleaning house: Making space for creativity
- Nourish your creative self: Give your creative self a lift with something beautiful
- The importance of physical practice: Get out of your head and into your body (And here’s another)
- Community Building
Blog posts about creative obstructions that present themselves when you’re on your creative path.
- Imposter Syndrome: Who do I think I am? Why even try?
- Perfectionism: I’m so afraid that my creation will not be perfect that I never actually do it. And another one about perfectionism!
- Comparison: I’ll never be as good as that person. I should probably quit.
- Distraction: I’ve convinced myself that all these other things have priority over my creativity.