Writing the perfect MONKEY (Mara Thomas, ASBX blog post 012)

Greetings, Soapboxers!

Earlier this month, several friends and collaborators gathered to read and hear the latest draft of my upcoming play, YEAR OF THE MONKEY. If you’ve ever put your work-in-progress up for critique, you know it is a singularly excruciating, insecurity-stoking and necessary experience. I clawed my way to that draft and now, armed with lots of helpful notes and personal revelations, it’s time to revise.

Great. I can’t stand this part.

I knew this was coming, but I’m annoyed anyway. Why am I making such a big deal out of this? I’ve got a lot of great feedback to plow into this thing but I feel angry and scared and, honestly, I have been so frustrated over this project that I have contemplated quitting several times.

Ah, perfectionism. My old friend.

At several points along the way, this project has felt like I’m using a tweezers to build a sandcastle. Thomases, by birthright, are unapologetically verbose yet I have no access to this endless supply of words. When I sit down at the keyboard, out come the tweezers. Why? Because I want it to be “right.” Because I want it to be “good.” Because I want to turn it in and never have to do it again because it took so much out of me the first time. Because perfectionism is my beast. Perfectionism would rather stop me before I start. Perfectionism would rather I edited my work and myself into non-existence rather than pick up that bucket and fill it with sloppy, wet sand.

Cue the irony.

After the script read-thru, two different people remarked that a few of the scenes felt unnecessarily short and they could tell I was editing myself. I had been so focused on cutting away anything I deemed extraneous (exposition, talkiness – bad!) that I didn’t leave enough substance to establish some of the objectives and relationships. Their advice? Haul ass and go for it. Fill up those buckets. Save the tweezers for later.

Sloppiness and precision both have their place in the process. Doesn’t sloppy sound more fun? I’m into it! At least in theory. This might be a “both/and” right now.

I know I will get to a space where I’m having more fun, feeling loose and making a joyous mess. But I also know there’s old pain at the root of the perfectionism and I want to make space for that. Pathologizing my stuckness isn’t helping me. Berating myself for not having more fun seems a tad counter-intuitive.

Maybe I’m not exactly where I’d like to be, but I am showing up. Every day. Maybe the words aren’t flowing like wine (note to self: BUY MORE WINE), but they’re coming. As I’ve told myself a thousand times, “Show up for the work and the work will show up for you.” Ugh, that sounds so smug I want to punch myself in the face.

This is eerily familiar. Perfectionism. Resistance. Finding ways to nourish yourself. Time to walk this talk. 

‘Til next time, Soapboxers.
MT

*Mara has a website! marathomas.com

Hear Mara on Bonus Episode 002Episode 017 and Episode 001 of the Artist Soapbox podcast. Read her testimonial here.

Mara Thomas is a Durham-based playwright, actor, musician and teaching artist. Her newest original theatre piece, YES TO NOTHING, was commissioned by Little Green Pig Theatrical Concern and played to raving crowds at music venues in Raleigh, Chapel Hill and Durham in fall 2017. Mara is working on YEAR OF THE MONKEY, a new play for the LGP 18-19 season!!!!

Blog post and podcast episode about the Creative Accountability Group:

  1. Take your work seriously: put Creative Resistance on notice!
  2. Better together. A Creative Accountability Group debrief with Mara and Tamara

Blog posts about creativity resources:

  1. Cleaning house: Making space for creativity
  2. Nourish your creative self: Give your creative self a lift with something beautiful
  3. The importance of physical practice: Get out of your head and into your body

Blog posts about creative obstructions that present themselves when you’re on your creative path.

  1. Imposter Syndrome: Who do I think I am? Why even try?
  2. Perfectionism: I’m so afraid that my creation will not be perfect that I never actually do it.
  3. Comparison: I’ll never be as good as that person. I should probably quit.
  4. Distraction: I’ve convinced myself that all these other things have priority over my creativity.

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  1. Pingback: Mara's picks from 2018 (Mara Thomas, ASBX blog post 016) ⋆ Artist Soapbox

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Artist Soapbox

Artist Soapbox is a platform for original scripted audio fiction and an opportunity for artists to discuss their creative work in their own voices. We do this through our interview podcast, our blog, and original audio dramas.

Artist Soapbox is an anti-racist organization. We believe Black Lives Matter. In addition, as a podcast production company, ASBX has signed the Equality in Audio Pact on Broccoli Content.

Artist Soapbox is more than just a podcast.

We lead writers groups, accountability support, workshops, and events. We produce and create audio dramas too! Listen to the Master BuilderThe New Colossus Audio Drama, Declaration of Love, and ASBX Shorts. Stay tuned to hear about more projects written by the Soapbox Audio Collective Writers’ Group.

Audio Dramas

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The New Colossus

The New Colossus Audio Drama is a totally unhinged dark comedy reboot of Anton Chekhov’s classic play, THE SEAGULL.

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Master Builder

This audio drama was adapted from Tamara’s 2018 stage play produced by Little Green Pig Theatrical Concern and inspired by Henrick Ibsen’s classic, The Master Builder published in 1892.

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Declaration of Love

Co-producers Aurelia Belfield and Tamara Kissane of Artist Soapbox commissioned eleven NC playwrights to craft short audio scenes based on the prompt “Declaration of Love.”

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ASBX Shorts

ASBX Shorts are six short audio fiction pieces created and produced by North Carolina artists. Artist Soapbox Shorts were specifically contributed by the artists to aid in fundraising and to get everyone excited about Jesus Pancake, our new audio fiction series in development.

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