Tamara Kissane

042: What does the dance community need? DIDA (Durham Independent Dance Artists) considers challenges and what the future holds

Three great minds in one room: Alyssa Noble, Justin Tornow, and Lightsey Darst, the 3 organizers of Durham Independent Dance Artists (DIDA) discuss how to serve the dance community, the DIDA model, challenges with funding and critical conversation, the upcoming season, and what the future holds. As far as topics I’m passionate about, this conversation hits …

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041: How do we evolve as artists? Director, performer, writer Naima Yetunde Ince-Griffiths extends her voice into multiple genres

Amazing original poetry pieces performed by Naima Ince-Griffiths open and close this episode! Naima Yetunde Ince-Griffiths is a performance poet, writer, and playwright; she produces and directs theatrical works and is the founder of NYI Productions. We talk about the evolution of her piece MEN ALWAYS LEAVE first written by Naima as a poem which she adapted into …

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040: How do we build audiences for our work? Playwright Allan Maule considers marketing theatre in the Triangle

How might we cultivate a larger audience across the Triangle? How do playwrights write about things that are meaningful and that will also have an audience? In this episode I’m talking with Allan Maule, a Durham-based playwright and writer with more than twelve years of writing experience for the stage and digital media. As playwrights …

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039: What is a band? Musician and composer Louis Landry embraces classic albums and contemporary realities

What exactly is ‘a band’ in 2018? How does a code of conduct figure in? Why is an performing residency so valuable? Listen to musician and composer Louis Landry… and his music! At the end of our interview conversation, you’ll hear two of Louis’ original songs, one from his album JJ vs. the Digital Whale …

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Writing the perfect MONKEY (Mara Thomas, ASBX blog post 012)

Greetings, Soapboxers! Earlier this month, several friends and collaborators gathered to read and hear the latest draft of my upcoming play, YEAR OF THE MONKEY. If you’ve ever put your work-in-progress up for critique, you know it is a singularly excruciating, insecurity-stoking and necessary experience. I clawed my way to that draft and now, armed …

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038: Managing Director Johannah Maynard Edwards advocates for inclusion, develops structures for growth, and turns problems into solutions

“Doing the work saves me.”  What does it mean to be included, supported, and welcomed into creative work? In the midst of producing for Women’s Theatre Festival and on-boarding as Managing Director, Johannah Maynard Edwards sought diagnosis and relief from what she discovered was a rare auto-immune disorder. As the parent of an autistic child, …

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037: Director Michele Okoh brings the heroes of ECLIPSED to the stage as part of the Women’s Theatre Festival

The first play with an all-Black and all-female cast and creative team to premiere on Broadway, ECLIPSED by Danai Gurira (Black Panther, The Walking Dead) is making it’s regional premiere this summer in the Women’s Theatre Festival. Theatre director Michele Okoh offers her powerful and passionate perspective on the themes of the play, the definition …

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Feel the real big love coming at you from this gratitude blast

Throwing big thanks your way today. September 1st will mark the one YEAR anniversary of the Artist Soapbox podcast. It’s coming up! By then, we’ll have released almost 50 podcast episodes and 13 blog posts, conducted two Creative Accountability Groups and two speaking events, and who knows what else we’ll cram in there! I’m excited …

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