031: Festival Production Manager for the Women’s Theatre Festival, Katy Koop, keeps it all on track

Based in Raleigh NC and founded in 2016, the Women’s Theatre Festival (WTF) creates, produces, and promotes extraordinary theatre by women. Each play in their summer festival was written by a woman, directed by a woman, and features a diverse cast and crew that’s at least 50% female. In additional, the WTF produces a 24 hour play festival called Occupy the Stage paired with workshops, classes and panel discussion.

The theme for the WTF 2018 is Women are Heroes! The first show in the festival opens June 8, 2018.

In the first half of our conversation, we discuss Katy Koop’s work as Festival Production Manager for WTF and the training provided to potential directors and producers for this year’s festival. In the second half of our conversation, we cover art & politics, Katy’s decision not to become a lawyer, and the value of theatre criticism for the local artist.

Katy Koop is a writer and theatre artist based in Cary, NC. Recent projects include directing Space Girl by Mora V. Harris and Little Women adapted by Lorelei Lemon with the Women’s Theatre Festival. In addition, she has written theatre criticism for Triangle Arts and Entertainment, Indy Week, and Howlround. As a freelance writer, she has had essays published in Electric Literature, Femsplain, Feministing, and Aloe. Her play The Amazing Cunt and Lil’Bitch take [Your City]! has been produced in part and in whole in New York City, NY, Minneapolis, MN, and Raleigh, NC. As her day job, she works as an marketing writer. She runs Plucky Media, a pop culture criticism website, on the side with co-founder Sarah Koop, who is her sister and frequent artistic collaborator.

Katy on Twitter

Katy links: tip jar: website: insta: medium: bot: gamedev acct:

This episode is brought to you by the Soapboxers, the official patrons of the Artist Soapbox. If you like these episodes and want more, get on the Soapbox! Podcast recorded at Shadowbox Studio in Durham, NC.

Time break-down:

[0:00] Episode intro and Katy’s bio and info about the Women’s Theatre Festival.

[2:37] Why did Katy get on board with WTF in their very first year?

[3:54] Is Festival Production Manager a new role for WTF? Why is it needed?

[4:47] Katy’s job responsibilities as the Festival Production Manager and the training series for potential directors and producers (WTF U). The pitching process for WTF.

[8:02] What are the expectations for the directors and producers of WTF? How are 1st time directors supported? Benchmarks for designers and stage managers (rehearsal reports!).

[11:35] What is the rhythm of the schedule for the Festival Production Manager?

[13:45] This seems like a challenging job! Why does the Festival Production Manager position appeal to Katy?

[16:25] What were most common questions people had about the pitch forms?

[19:55] Why has Katy been drawn to doing so many different jobs in the theatre universe?

[21:17] Katy has a clear feminist viewpoint as a writer and playwright. What is that POV important to her? What would she say to people who discourage artists from getting political?

[23:28] So, why theatre and not law school?

[25:37] Theatre criticism and writing: Does writing about theatre change Katy’s relationship to it (and vice versa)? As a critic, what is she looking for from theatre productions? What are the benefits of theatre criticism for local artists?

[29:37] What’s next for Katy?

[32:58] Thank you and sign-off

Artist Soapbox podcast is a listener supported podcast. If you listen, please support the podcast by sharing episodes with friends and contributing via our Patreon campaign.

If you have feedback, questions, suggestions, please email artistsoapbox@gmail.com. FEEDBACK IS EVERYTHING TO ASBX.

Artist Soapbox

Artist Soapbox is a platform for original scripted audio fiction and an opportunity for artists to discuss their creative work in their own voices. We do this through our interview podcast, our blog, live events, and original audio dramas.

Artist Soapbox is an anti-racist organization. We believe Black Lives Matter. In addition, as a podcast production company, ASBX has signed the Equality in Audio Pact on Broccoli Content.

Artist Soapbox is more than just a podcast.

We lead writers groups, accountability support, workshops, and events. We produce and create audio dramas too! Listen to the Master BuilderThe New Colossus Audio Drama, Jesus Pancake, Declaration of Love, Food for Thought, and ASBX Shorts. Stay tuned to hear about more projects written by the Soapbox Audio Collective Writers’ Group.

Audio Dramas

Jesus (1400 × 1400 px)-2

Jesus Pancake

Jesus Pancake is the newest scripted audio fiction series from Artist Soapbox. Nine episodes of zany dark comedy.


The New Colossus

The New Colossus Audio Drama is a totally unhinged dark comedy reboot of Anton Chekhov’s classic play, THE SEAGULL.


Master Builder

This audio drama was adapted from Tamara’s 2018 stage play produced by Little Green Pig Theatrical Concern and inspired by Henrick Ibsen’s classic, The Master Builder published in 1892.


Declaration of Love

Co-producers Aurelia Belfield and Tamara Kissane of Artist Soapbox commissioned eleven NC playwrights to craft short audio scenes based on the prompt “Declaration of Love.”


Food for Thought

Three pilot episodes of new scripted audio fiction series inspired by the prompt Food for Thought.


ASBX Shorts

ASBX Shorts are six short audio fiction pieces created and produced by North Carolina artists. Artist Soapbox Shorts were specifically contributed by the artists to aid in fundraising and to get everyone excited about Jesus Pancake, our new audio fiction series in development.

Scroll to Top