writing process

084: How do you honor your story? Writer and educator Allison Kirkland on crafting memoir and creative nonfiction.

Thought about writing a memoir? Curious about creative non-fiction, writing in community, and how to get started when you are staring at the blank page? Listen in to this conversation with Allison Kirkland,  writer, instructor, editor, facilitator, writing coach and arts advocate. At the beginning and again at the very end of this conversation, you’ll hear …

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074: “Can we pay attention in a different way?” Questions, practice, and survival with poet and theatre artist Elisabeth Lewis Corley

When we got together for our interview Elisabeth Lewis Corley said, “Let’s just have a conversation.” And wow, did we ever. Elisabeth began by reading one of her poems. From there we discussed survival strategies for artists, diversifying our artistic practice, her company Street Signs and their intentional approach to developing profound new work….and the …

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051: Wanna keep going? Singer/songwriter Juliana Finch encourages well-nourished artists, productivity, and community

No more starving artists. Singer/songwriter Juliana Finch believes everyone has a story to tell and that the best way to create is from a well-nourished place. We talk about self-care for artists, online communities, how not to quit and Juliana’s three rules. We also discuss Juliana’s response to being told to “shut up and sing” (can you …

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046: What are the benefits of a residency? Dasan Ahanu speaks on Black Poetry Theatre’s decade of connection.

“So much is possible.” Dasan Ahanu is a Poet, Emcee, Writer, Playwright, Performance Artist, Lecturer, and Educator in Durham, North Carolina. He is managing director and co-founder of Black Poetry Theatre (BPT), an African American theatre company started in 2008 that creates original productions featuring artists from the community. Dasan performs two of his original poems in …

046: What are the benefits of a residency? Dasan Ahanu speaks on Black Poetry Theatre’s decade of connection. Read More »

045: Old work in a new way. both hands theatre company performs a scene from 2001.

How does artistic work hold up over time? What’s it like to revisit old work in a new medium? A quick dive into work in process. Cheryl Chamblee and Tamara Kissane perform an original theatre piece they performed onstage as both hands theatre company almost 20 years ago. What?!. We’re mixing it up here on ASBX! Cheryl …

045: Old work in a new way. both hands theatre company performs a scene from 2001. Read More »

043: What good is a bad first draft? Playwright and arts educator Ian Finley extols the power of revision.

“The first draft really ought to be quite horrible.” A passionate masterclass in playwriting with Ian Finley, playwright and arts educator. Dramatic structure, writer’s block, revision, adapting historical events, the value of arts education, working with what you have, and the importance of “Just Finish it!”  Ian Finley holds an MFA in Dramatic Writing from …

043: What good is a bad first draft? Playwright and arts educator Ian Finley extols the power of revision. Read More »

041: How do we evolve as artists? Director, performer, writer Naima Yetunde Ince-Griffiths extends her voice into multiple genres

Amazing original poetry pieces performed by Naima Ince-Griffiths open and close this episode! Naima Yetunde Ince-Griffiths is a performance poet, writer, and playwright; she produces and directs theatrical works and is the founder of NYI Productions. We talk about the evolution of her piece MEN ALWAYS LEAVE first written by Naima as a poem which she adapted into …

041: How do we evolve as artists? Director, performer, writer Naima Yetunde Ince-Griffiths extends her voice into multiple genres Read More »

040: How do we build audiences for our work? Playwright Allan Maule considers marketing theatre in the Triangle

How might we cultivate a larger audience across the Triangle? How do playwrights write about things that are meaningful and that will also have an audience? In this episode I’m talking with Allan Maule, a Durham-based playwright and writer with more than twelve years of writing experience for the stage and digital media. As playwrights …

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Writing the perfect MONKEY (Mara Thomas, ASBX blog post 012)

Greetings, Soapboxers! Earlier this month, several friends and collaborators gathered to read and hear the latest draft of my upcoming play, YEAR OF THE MONKEY. If you’ve ever put your work-in-progress up for critique, you know it is a singularly excruciating, insecurity-stoking and necessary experience. I clawed my way to that draft and now, armed …

Writing the perfect MONKEY (Mara Thomas, ASBX blog post 012) Read More »

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